Jatiswaram bharatanatyam song full#
It is one full definite course where in dance items are performed in a traditional order. Margam means a path or a course followed. Bharatnatyam Narrative has a definite traditional order of the items that are performed, called as Margam. Thus, unless a Bharatnatyam recital is held in a small hall, a close-up, high-resolution video is the only adequate medium of presenting the Abhinaya. This is the main feature that distinguishes Bharatnatyam from the western ballet. While gestures can be seen from any distance even in a large dance hall, the subtle facial expressions can only be seen from the front rows. These people sit in the corner of a stage or in a place in front of the stage, which will be in a lower level than that of the stage. Veena, Flute and other instruments are optional. Basic accompaniments are a Singer, Mridangam player, Violin player and ofcource the Natuvanga. Accompaniments play a major role in the making of a memorable dance performance.
In their first performance, they were made to worship the jingles, wear them & then perform. In olden days, disciples were not allowed to wear jingles till their first public performance. For a dancer, jingles are considered divine.
This Arangetram was known as Gejjepooje in old Mysore district, meaning worshiping the jingles in Kannada, a south Indian language. Atleast 10 - 12 years of training is necessary to give a commendable performance. Hence, the guru decides when the disciple is ready for public appearance. After learning Bharatnatyam under the guidance of an accomplished guru, this performance is the testing time for both the guru and the disciple as on this occasion, the public judges the guru`s knowledge & the disciple`s talent together. Ideally this is the first public performance of an artist. They are executed in madhyam kaala, that is in a medium tempo.Arangetram is a Tamil word "Aranga" meaning raised floor and "Etram" meaning climbing in Tamil, and also called Rangapravesha in Kannada "Ranga" meaning Stage and "Pravesha" meaning Enter. Kirtanams are compositions which are in praise of God which begin with pure dance steps performed on rhythmic syllables (shollus) followed by abhinaya on the sahitya (lyrics) of the song. The nritta and abhinaya portions of the dance are also not demarcated. The javalis are in a lighter mood than the padam. Javalis are also love lyrics based on shringara rasa like padams but they are shorter and executed in faster tempo. The Padams of Kshetrayya and the Ashtapadis of Jayadeva are frequently chosen for the performance besides others. Seperation (Vipralambha) and Union (Sambhoga) are the two aspects of love that dominate this item in which the dancer can surrender herself to God, forget her own self in utter renunciation and begin to experience awareness of the highest truth. The naayikaa is longing for her naayaka symbolising the longing of each individual soul for union with the universal Divine Spirit. Unless the dancer has understood and experience the meaning behind the words, she can never express fully the song.
The various moods and emotions of the Naayikaa are executed by the dancer giving immense scope for the expression of variegated sentiments and shades of emotions. Padams are abhinaya items, usually love lyrics and are rendered in a slower tempo.